|Jeff Hughes, Co-Artistic Director|
Jeff Hughes was born in Alameda, California, where he started dancing at the age of six. His first two teachers were Vern Nerden and Madame Alexandria Baldina from the Maryinsky Theatre in St. Petersburg Russia and Ballet Russe circa Nijinsky and Pavlova. As a youngster he was a member of Oakland Metropolitan Ballet and was a guest artist with several companies in Northern California.
Mr. Hughes is in his tenth season as artistic director for Tucson Regional Ballet. He has worked as artistic director of Ohio Ballet, interim director and then rehearsal director for Hong Kong Ballet, associate director/ballet master with Ballet de Monterrey, ballet master for Alonzo King’s Lines Contemporary Ballet, artistic director for Atlanta Ballet’s outreach program, and founder of his own educational performing group Ballet Atlantis.
Over a twenty-two year professional career as a dancer, he danced principal roles with Joffrey II, Joffrey Ballet, London Festival Ballet, Cleveland/San Jose Ballet, Oakland Ballet, Sacramento Ballet, and Atlanta Ballet. Mr. Hughes had a vast repertoire of roles. Listed among some of his favorites were the Moor in Jose Limon’s Moor’s Pavane, Fleming Flindt’s The Lesson, Franz in Coppelia, Balanchine’s Tarantella, pas de deux from Le Corsaire, Prince Siegfried in Swan Lake, one of the two male leads in Lander’s Etudes, Fokine’s Spectre de la Rose, Prince Igor, and Les Sylphides, and danced sur la pointe as Bottom in Ashton’s The Dream and as Widow Simone in Spoerli’s La Fille Mal Gardée. He danced in ballets by such choreographers as Ailey, Ashton, Bournonville, Cranko, Nureyev, Robbins, Schaufuss, Tharp, Tudor, and Watts, to mention just a few. Mr. Hughes was privileged to be in Robert Joffrey’s Remembrances, enjoyed dancing in many of Gerald Arpino’s ballets, and danced and created many roles in Dennis Nahat’s ballets.
Over the past twenty-nine years Mr. Hughes has choreographed over sixty ballets. His ballets have been performed in the U.S., Asia, Mexico, and South Africa. He has been on the faculty of Hong Kong Academy for the Arts, San Francisco Dance Center and New York Academy of Ballet, among others. Mr. Hughes’ summer teaching credits include having taught and choreographed at the Joffrey Workshop Texas in 2007 and 2008, and at the prestigious Kaatsbaan Extreme Ballet in New York during the summers of 2014-2016. He also taught at Orlando Ballet School during the summers of 2015-2017. In 2017, Mr. Hughes returned to Hong Kong as a judge for the Star of Canaan International Dance Competition and has been invited back for summer 2019.
Mr. Hughes won Emerging Choreographer Award at 1995 Southeastern Regional Ballet Festival and a Choreographer award at Tao Li Bei Competition in China in 1997. He performed in Soviet Russia with the Joffrey Ballet and Communist China with London Festival Ballet.
|Pamela Reyman-Hughes, Co-Artistic Director|
Pamela Reyman-Hughes is in her tenth season with Tucson Regional Ballet. Born in New York City, she began her dance training at the age of fifteen. She trained with Istvan Rabovsky and at the American Ballet Theatre School with Valentina Pereyslavic, Olga Merinowa, and Patricia Wilde.
In 1977 she began her professional career with Dennis Wayne’s Dancers in NYC. Over the course of her twenty-two year performing career she also danced as a principal dancer with Cleveland/San Jose Ballet, Atlanta Ballet, Dayton Ballet and Ohio Ballet as well as performing as a guest artist with small companies in the United States. An artist recognized for her versatility, Ms. Reyman-Hughes has danced a range of roles, including Tzarina, Sugar Plum Fairy, Dew Drop, Dying Swan, Giselle, Juliet, Lizzie Borden in deMilles’s Fall River Legend, Emilia in Limon’s Moor’s Pavane, the Partisan in Jooss’ The Green Table, The Woman in His Past in Tudor’s Lilac Garden, Cinderella and the Fairy Godmother in Holder’s Cinderella. She danced principal roles in an extensive Balanchine repertoire including Tarantella, Square Dance, Minkus Pas de Trois, Agon, Apollo, Serenade, and Nutcracker. Ms. Reyman-Hughes has also performed in works by Butler, Van Dantzig, Lubovitch, Byrd, Arpino, Flindt, Fokine, Massine, Nault and many others, including her husband Jeff Hughes. In 1990, she performed in Scotland at the Edinburgh Festival in Flindt’s The Overcoat with Rudolf Nureyev. As a principal dancer with Cleveland/San Jose Ballet, she had roles created for her by Dennis Nahat in many of his ballets. She has also participated as a dancer in New Steps, a choreographic workshop in Ohio and in Festival of Life, a benefit for children and adults with AIDS in Atlanta.
Ms. Reyman-Hughes was ballet mistress for Ohio Ballet, interim ballet mistress for Hong Kong Ballet, and was on the staff of the Hong Kong Academy for the Performing Arts. She has guest taught throughout the U.S. and has choreographed two chamber ballets that have been performed in Ohio and Switzerland. Locally, Ms. Reyman-Hughes has taught at Ballet Arts in Tucson and briefly worked as a part-time ballet mistress for Ballet Tucson. She has also choreographed a number of ballets for Academy of Ballet and Tucson Regional Ballet. For the summers of 2015-2017, she was a guest teacher for Orlando Ballet School’s summer intensive. She is a certified Gyrotonic® Expansion System Level I Instructor. Ms. Reyman-Hughes is grateful to the many teachers who have inspired her throughout her career and would especially like to thank Maggie Black and Alonzo King.
Ms. Reyman-Hughes is married to Jeff Hughes, and they have a daughter, Maya Esperanza.
|Linda Walker, Founding Director|
Linda Walker began her dance training at the age of six in California. She studied with many small ballet schools throughout California, Robert Joffrey in New York, and San Francisco Ballet on full scholarship. She is the founder of Academy of Ballet (formerly Tucson School of Ballet, 1981), founder and Artistic Director of Tucson Regional Ballet (1983), proud mother of four, and grandmother of lots and lots. From 1988 through May 2002, Ms. Walker instructed students from St. David, Sierra Vista, Dragoon, Pomerene, Benson, and Wilcox at her Benson site.
Ms. Walker’s dedication to quality ballet led the Tucson Regional Ballet to audition for, and gain membership in, Regional Dance America/Pacific (1994), and her innovative creativity has brought TRB to new heights with the original production of A Southwest Nutcracker. TRB also premiered Ms. Walker’s original ballet adaptations of Susan Lowell’s best-selling children’s books, The Three Little Javelinas and The Tortoise and the Jackrabbit. Ms. Walker has served on the board of Regional Dance America/Pacific and as a panelist for Tucson Pima Arts Council. In Ms. Walker’s spare time she cares for her three rescue dogs and traps, spays/neuters, releases, and feeds dinner every night to feral cats.
Ms. Walker retired from active teaching in June of 2019, but may still be found operating her boutique, Arabesque Dancewear. To contact her directly, please email firstname.lastname@example.org.